000 03091cam a2200517 i 4500
001 9781003015437
003 FlBoTFG
005 20220531132620.0
006 m o d
007 cr cnu---unuuu
008 200710t20212021nyu ob 001 0 eng
040 _aOCoLC-P
_beng
_erda
_cOCoLC-P
020 _a9781003015437
_qelectronic book
020 _a1003015433
_qelectronic book
020 _a9781000286946
_qelectronic book
020 _a1000286940
_qelectronic book
020 _a9781000286953
_qelectronic book
020 _a1000286959
_qelectronic book
020 _a9781000286960
_qelectronic book
020 _a1000286967
_qelectronic book
020 _z9780367858735
_qhardcover
035 _a(OCoLC)1176324643
035 _a(OCoLC-P)1176324643
050 0 0 _aN6537.H348
_bR34 2021
072 7 _aART
_x015110
_2bisacsh
072 7 _aAB
_2bicssc
082 0 0 _a700.1/03
_223
100 1 _aRaffel, Amy,
_eauthor.
245 1 0 _aArt and merchandise in Keith Haring's Pop Shop /
_cAmy Raffel.
264 1 _aNew York, NY :
_bRoutledge,
_c2021.
264 4 _c©2021
300 _a1 online resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 1 _aRoutledge advances in art and visual studies
520 _a"This book uses the Pop Shop, a previously overlooked enterprise, and artist merchandising to reconsider the significance and legacy of Haring's career as a whole, especially his career long pursuit of populism. Keith Haring developed an alternative approach to both the marketing and the social efficacy of art: he controlled the sales and distribution of his merchandise, while also promulgating his belief in accessibility and community activism. He proved that mass produced objects can be used as a strategy to form a community and create social change. Furthermore, looking beyond the eighties into the 1990s and 2000s, Haring and his shop prefigured artists' emerging, self-aware involvement with the mass media, and the art world's growing dependence on marketing and commercialism. The book will be of interest to scholars working in art history, consumer culture, cultural studies, media studies, and market studies. The book will be of interest to scholars or students studying art history, consumer culture, cultural studies, media studies, or market studies, as well as anyone with a curiosity of Haring and his work, the 1980s art scene in New York, the East Village, street art, art activism, and art merchandising"--
_cProvided by publisher.
588 _aOCLC-licensed vendor bibliographic record.
600 1 0 _aHaring, Keith
_xCriticism and interpretation.
610 2 0 _aPop Shop (Retail store)
650 0 _aArtists and community.
650 0 _aArt, Modern
_y20th century
_xEconomic aspects.
650 7 _aART / History / Contemporary (1945-)
_2bisacsh
856 4 0 _3Taylor & Francis
_uhttps://www.taylorfrancis.com/books/9781003015437
856 4 2 _3OCLC metadata license agreement
_uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
999 _c74776
_d74776