000 | 03533cam a2200565Mi 4500 | ||
---|---|---|---|
001 | 9780429200991 | ||
003 | FlBoTFG | ||
005 | 20220531132522.0 | ||
006 | m o d | ||
007 | cr |n||||||||| | ||
008 | 201112s2021 enka ob 001 0 eng | ||
040 |
_aOCoLC-P _beng _erda _cOCoLC-P |
||
020 | _a9780429200991 (electronic bk) | ||
020 | _a0429200994 (electronic bk) | ||
020 |
_a9780429575136 _q(electronic bk. : EPUB) |
||
020 |
_a0429575130 _q(electronic bk. : EPUB) |
||
020 |
_a9780429573026 _q(electronic bk. : Mobipocket) |
||
020 |
_a0429573022 _q(electronic bk. : Mobipocket) |
||
020 |
_a9780429577246 _q(electronic bk. : PDF) |
||
020 |
_a0429577249 _q(electronic bk. : PDF) |
||
020 | _z9780367192020 | ||
020 | _z0367192020 | ||
035 | _a(OCoLC)1222215426 | ||
035 | _a(OCoLC-P)1222215426 | ||
050 | 4 |
_aPN3014 _b.W46 2021 |
|
072 | 7 |
_aDRA _x000000 _2bisacsh |
|
072 | 7 |
_aDRA _x012000 _2bisacsh |
|
072 | 7 |
_aHIS _x000000 _2bisacsh |
|
072 | 7 |
_aAN _2bicssc |
|
082 | 0 | 4 |
_a792.0993 _223 |
100 | 1 |
_aWenley, James, _eauthor. |
|
245 | 1 | 0 |
_aAotearoa New Zealand in the global theatre marketplace : _btravelling theatre / _cJames Wenley. |
250 | _aFirst edition. | ||
264 | 1 |
_aAbington, Oxon ; _aNew York : _bRoutledge, _c2021. |
|
300 |
_a1 online resource (ix, 225 pages : _billustrations.). |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
490 | 1 | _aRoutledge advances in theatre and performance | |
520 | _a"Aotearoa New Zealand in the Global Theatre Marketplace is a case study of how work from one nation has attempted to tour, represent and market itself in the global theatre industry. Against challenging market conditions, how has theatre from Aotearoa New Zealand attempted to stand out, differentiate itself, and get seen by audiences overseas? Aotearoa New Zealand will primarily focus on examples of New Zealand theatrical work toured and performed internationally under the accelerated globalised conditions over the last thirty years. The analysis of specific plays and productions will be used to develop two main conceptual areas. The first is the negotiation of international theatrical marketplaces by non-local work and companies The second primary conceptual concern is the negotiation of national and cultural identity in the performance and reception of theatrical works.In following New Zealand theatre overseas, this book aims to give an outsider insight into a range of geographic theatrical marketplaces, including the Edinburgh Festival Fringe, London, North America, Asia and the Pacific Arts Festivals. Ultimately, James Wenley's study will raise questions about the mobility/portability of theatre, and the potential of theatre to be a means for cross-cultural conversation and understanding for audiences to see the lives of others onstage, and find resonances within their own contexts"-- | ||
588 | _aOCLC-licensed vendor bibliographic record. | ||
650 | 0 |
_aTheater _zNew Zealand _xHistory _y20th century. |
|
650 | 0 |
_aNew Zealand drama _y20th century _xHistory and criticism. |
|
650 | 0 |
_aPerforming arts _xMarketing. |
|
650 | 7 |
_aDRAMA / General _2bisacsh |
|
650 | 7 |
_aDRAMA / Australian & Oceanian _2bisacsh |
|
650 | 7 |
_aHISTORY / General _2bisacsh |
|
856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9780429200991 |
856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
999 |
_c73417 _d73417 |