000 | 03199cam a2200517Ki 4500 | ||
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001 | 9780429275357 | ||
003 | FlBoTFG | ||
005 | 20220531132439.0 | ||
006 | m o d | ||
007 | cr cnu---unuuu | ||
008 | 201211s2021 mnu ob 001 0 eng d | ||
040 |
_aOCoLC-P _beng _erda _epn _cOCoLC-P |
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020 |
_a9780429275357 _q(electronic bk.) |
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020 |
_a0429275358 _q(electronic bk.) |
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020 |
_a9780367225278 _q(electronic bk.) |
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020 |
_a0367225271 _q(electronic bk.) |
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020 |
_a9781000224863 _q(electronic bk. : EPUB) |
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020 |
_a1000224864 _q(electronic bk. : EPUB) |
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020 |
_a9781000224825 _q(electronic bk. : Mobipocket) |
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020 |
_a1000224821 _q(electronic bk. : Mobipocket) |
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020 |
_a9781000224788 _q(electronic bk. : PDF) |
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020 |
_a1000224783 _q(electronic bk. : PDF) |
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035 | _a(OCoLC)1226504900 | ||
035 | _a(OCoLC-P)1226504900 | ||
050 | 4 |
_aML421.B4 _bG59 2021eb |
|
072 | 7 |
_aSOC _x052000 _2bisacsh |
|
072 | 7 |
_aJFD _2bicssc |
|
082 | 0 | 4 |
_a782.42166092/2 _223 |
100 | 1 |
_aGlynn, Stephen, _eauthor. |
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245 | 1 | 4 |
_aThe Beatles and film : _bfrom youth culture to counterculture / _cStephen Glynn. |
264 | 1 |
_aLondon ; New York : _bRoutledge, _c2021. |
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300 | _a1 online resource. | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 0 | _aCinema and youth cultures | |
520 |
_a"This concise yet comprehensive study explores the emblematic journey by four young men from Liverpool from the epicentre of teen-led youth culture to the experimentation of the counterculture and beyond. Beginning with the celebration of Britain's own 'youth quake' in the joyous and genre-shifting A Hard Day's Night (1964), the author delves into how The Beatles' film work allows us to chart their subsequent musical maturation and retreat from the tribulations of stardom in Help!, their tentative attempts at improvised filming in the televised Magical Mystery Tour (1967), their acceptance of cartoon representations as leaders of the hippie counterculture in Yellow Submarine (1968), and the final implosion of their musical dynamic in the recording studios of Let It Be (1970). The book analyses how, as they grow with their fanbase, The Beatles' films alternate stylistically between mimetic representation and allegorical interpretation, and switch narratively between fan-filled and welcoming worlds, to films relaying introspection and isolation. Offering an in-depth case study of the successes and failures of British youth culture in a volatile decade, The Beatles and Film is an engaging text for both scholars and general readers alike"-- _cProvided by publisher. |
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588 | _aOCLC-licensed vendor bibliographic record. | ||
610 | 2 | 0 |
_aBeatles _xIn motion pictures. |
610 | 2 | 0 |
_aBeatles _xInfluence. |
650 | 0 | _aMotion pictures and rock music. | |
650 | 0 |
_aPopular culture _xHistory _y20th century. |
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650 | 7 |
_aSOCIAL SCIENCE / Media Studies _2bisacsh |
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856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9780429275357 |
856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
999 |
_c72483 _d72483 |