000 03710cam a2200553 i 4500
001 9780429201035
003 FlBoTFG
005 20220531132352.0
006 m o d
007 cr |||||||||||
008 200608t20212021enkab ob 001 0 eng
040 _aOCoLC-P
_beng
_erda
_cOCoLC-P
020 _a9780429201035
_qelectronic book
020 _a0429201036
_qelectronic book
020 _a0429575092
_qelectronic book
020 _a9780429577208
_qelectronic book
020 _a0429577206
_qelectronic book
020 _a9780429572982
_qelectronic book
020 _a0429572980
_qelectronic book
020 _a9780429575099
_q(electronic bk.)
020 _z9780367192068
_qhardcover
035 _a(OCoLC)1158506653
035 _a(OCoLC-P)1158506653
050 0 4 _aK1440
_b.B695 2021
072 7 _aLAW
_x050010
_2bisacsh
072 7 _aSOC
_x052000
_2bisacsh
072 7 _aLAW
_x060000
_2bisacsh
072 7 _aJFD
_2bicssc
082 0 0 _a346.048/2
_223
100 1 _aBowrey, Kathy,
_eauthor.
245 1 0 _aCopyright, creativity, big media and cultural value :
_bincorporating the author /
_cKathy Bowrey.
264 1 _aAbingdon, Oxon ;
_aNew York, NY :
_bRoutledge,
_c2021.
264 4 _c©2021
300 _a1 online resource (ix, 218 pages) :
_billustrations, maps
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bn
_2rdamedia
338 _aonline resource
_bnc
_2rdacarrier
505 0 _aWhat is the significance of authorship in copyright? -- Revisiting author theory in the domain of law -- A tale of three literary copyrights -- Imperial copyright and its costs -- Print capitalism meets Hollywood. The work of industrial authorship -- Why does a gramophone maker deserve a copyright? The role of celebrity, women and consumer markets in the recording industry -- Why Margaret Atwood, Radiohead, and Bansky are not anti-copyright.
520 _a"As the publishing, film and music industries are dominated by Big Media conglomerates, there is often recourse to simplistic ideological and conspiratorial readings of industry dynamics. Copyright, Creativity, Big Media & Cultural Value: Incorporating the Author explains why copyright is much more than a creator's private property right or a mechanism through which corporations control cultural production and influence mass consumption choices. The volume is grounded in extensive, painstakingly detailed and colourful original archival research into business histories of major successful artists including Conan Doyle, Hall Caine, Margaret Atwood, Dame Nellie Melba, Radiohead and Banksy, and the industries and genres that grew up around their activities. Chapters address big questions about how copyright generates income and how distributions of profits are allocated in the publishing, film and music industries. It includes discussion of the creation of new formats, the interplay between old media and new technologies, international copyright reform and cross-industry relations. Copyright, Creativity, Big Media & Cultural Value is a wide-ranging and important resource for students and practitioners of law and policy, media studies, cultural studies and literary history"--
_cProvided by publisher.
588 _aOCLC-licensed vendor bibliographic record.
650 0 _aCopyright.
650 0 _aAuthorship.
650 0 _aCreative ability.
650 7 _aLAW / Intellectual Property / Copyright
_2bisacsh
650 7 _aSOCIAL SCIENCE / Media Studies
_2bisacsh
650 7 _aLAW / Legal History
_2bisacsh
856 4 0 _3Taylor & Francis
_uhttps://www.taylorfrancis.com/books/9780429201035
856 4 2 _3OCLC metadata license agreement
_uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
999 _c71407
_d71407