000 | 03452cam a2200517M 4500 | ||
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001 | 9780367815417 | ||
003 | FlBoTFG | ||
005 | 20220531132349.0 | ||
006 | m o d | ||
007 | cr |n||||||||| | ||
008 | 191011s2019 xx o 000 0 eng d | ||
040 |
_aOCoLC-P _beng _cOCoLC-P |
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020 |
_a9781000727210 _q(electronic bk.) |
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020 |
_a1000727211 _q(electronic bk.) |
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020 |
_a9780367815417 _q(electronic bk.) |
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_a0367815419 _q(electronic bk.) |
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020 |
_a9781000727357 _q(electronic bk. : Mobipocket) |
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020 |
_a1000727351 _q(electronic bk. : Mobipocket) |
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020 |
_a9781000727494 _q(electronic bk. : EPUB) |
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_a1000727491 _q(electronic bk. : EPUB) |
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020 | _z0367416093 | ||
020 | _z9780367416096 | ||
024 | 8 |
_a10.4324/9780367815417 _2doi |
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035 |
_a(OCoLC)1122748908 _z(OCoLC)1122922081 |
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035 | _a(OCoLC-P)1122748908 | ||
050 | 4 | _aPR4588 | |
072 | 7 |
_aLIT _x000000 _2bisacsh |
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072 | 7 |
_aDSBF _2bicssc |
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082 | 0 | 4 |
_a823.8 _223 |
100 | 1 |
_aGooch, Joshua, _d1977- |
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245 | 1 | 0 |
_aDICKENSIAN AFFECTS _h[electronic resource] : _bCharles Dickens and feelings of precarity. |
260 |
_a[S.l.] : _bROUTLEDGE, _c2019. |
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300 | _a1 online resource. | ||
336 |
_atext _2rdacontent |
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337 |
_acomputer _2rdamedia |
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338 |
_aonline resource _2rdacarrier |
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490 | 1 | _aRoutledge Studies in Nineteenth Century Literature | |
520 | _aIn Dickensian Affects: Charles Dickens and Feelings of Precarity, Joshua Gooch argues that Dickens's novels offer models of feeling that illuminate the dissensions that accompany life's precariousness under capitalism. By examining the role of violence, anxiety, surprise, and suspense in Dickens's novels, Gooch explores how they represent and shape emotions to create rhythms specific to their historical moment. To unearth Dickensian affects, Gooch examines how some of Dickens's novels yoke elements in their difference to signal different kinds and ways of feeling, what he terms affective form. This patterning of elements links a text's ways of feeling to its conjuncture and locates lines of flight that allow its representations of emotion to become something else. The violence of Oliver Twist links its satire of the New Poor Law to the post-abolition period of apprenticeship in the West Indies. The pervasive anxiety of The Old Curiosity Shop links Nell's journey to arguments economic inequality focused on questions of inheritance and land reform. The surprise of David Copperfield binds its interests in questions of character and trust to Britain's professional world and credit markets. And the suspense of Great Expectations gestures toward a sense of shame and demand for new models of masculine character also seen in the Volunteer rifle militias. Dickensian Affects argues that for Dickens, questions of feeling reveal the precarity of feeling itself. For Dickens, to feel is to know the possibility of feeling otherwise. | ||
588 | _aOCLC-licensed vendor bibliographic record. | ||
600 | 1 | 0 |
_aDickens, Charles, _d1812-1870 _xCriticism and interpretation. |
650 | 0 |
_aEnglish fiction _y19th century _xHistory and criticism. |
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650 | 0 | _aEmotions in literature. | |
650 | 7 |
_aLITERARY CRITICISM / General _2bisacsh |
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856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9780367815417 |
856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
999 |
_c71322 _d71322 |