000 | 03837cam a2200565Ki 4500 | ||
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001 | 9781003091943 | ||
003 | FlBoTFG | ||
005 | 20220531132328.0 | ||
006 | m d | ||
007 | cr ||||||||||| | ||
008 | 200907s2021 nyu gob 000 0 eng d | ||
040 |
_aOCoLC-P _beng _cOCoLC-P |
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020 |
_a9781000226713 _q(EPUB) |
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_a1000226719 _q(EPUB) |
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_a9781000226591 _q(electronic bk.) |
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_a100022659X _q(electronic bk.) |
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020 |
_a9781003091943 _q(electronic bk.) |
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020 |
_a1003091946 _q(electronic bk.) |
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020 |
_a9781000226652 _q(electronic bk. : Mobipocket) |
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020 |
_a1000226654 _q(electronic bk. : Mobipocket) |
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020 | _z036755089X | ||
020 | _z9780367550899 | ||
024 | 7 |
_a10.4324/9781003091943. _2doi |
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035 |
_a(OCoLC)1203551181 _z(OCoLC)1194472080 |
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035 | _a(OCoLC-P)1203551181 | ||
050 | 4 | _aPN56.M54 | |
072 | 7 |
_aLIT _x000000 _2bisacsh |
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072 | 7 |
_aDSBF _2bicssc |
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082 | 0 | 4 |
_a809.9112 _223 |
100 | 1 |
_aTrigoni, Thalia, _eauthor. |
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245 | 1 | 4 |
_aThe intelligent unconscious in modernist literature and science / _cThalia Trigoni. |
250 | _a1st. | ||
264 | 1 |
_aNew York : _bRoutledge, _c2021. |
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300 | _a1 online resource (224 pages). | ||
336 |
_atext _2rdacontent |
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337 |
_acomputer _2rdamedia |
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338 |
_aonline resource _2rdacarrier |
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490 | 1 | _aAmong the Victorians and modernists | |
500 | _aIntroduction: The Intelligent Unconscious in the Modernist World The Psychology of Unconscious Consciousness D.H. Lawrence on the Intelligent Unconscious and the Allotropic State of Being Virginia Woolf's Stream of (Un)Consciousness: The Ontology of Unconscious Androgyny Feeling Unconscious Thoughts in T. S. Eliot's Criticism and Poetry Conclusion: From Modernism to 21st Century Cognitive Science. | ||
520 | _aThis book reassesses the philosophical, psychological and, above all, the literary representations of the unconscious in the early twentieth century. This period is distinctive in the history of responses to the unconscious because it gave rise to a line of thought according to which the unconscious is an intelligent agent able to perform judgements and formulate its own thoughts. The roots of this theory stretch back to nineteenth-century British physiologists. Despite the production of a number of studies on modernist theories of the relation of the unconscious to conscious cognition, the degree to which the notion of the intelligent unconscious influenced modernist thinkers and writers remains understudied. This study seeks to look back at modernism from beyond the Freudian model. It is striking that although we tend not to explore the importance of this way of thinking about the unconscious and its relationship to consciousness during this period, modernist writers adopted it widely. The intelligent unconscious was particularly appealing to literary authors as it is intertwined with creativity and artistic novelty through its ability to move beyond discursive logic. The book concentrates primarily on the works of D. H. Lawrence, Virginia Woolf and T.S. Eliot, authors who engaged the notion of the intelligent unconscious, reworked it and offered it for the consumption of the general populace in varied ways and for different purposes, whether aesthetic, philosophical, societal or ideological. | ||
588 | _aOCLC-licensed vendor bibliographic record. | ||
650 | 0 | _aModernism (Literature) | |
650 | 0 | _aSubconsciousness in literature. | |
650 | 0 | _aSubconsciousness. | |
650 | 0 | _aIntellect. | |
650 | 0 | _aModernism (Aesthetics) | |
650 | 7 |
_aLITERARY CRITICISM / General _2bisacsh |
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856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003091943 |
856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
999 |
_c70842 _d70842 |