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001 9781003091943
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008 200907s2021 nyu gob 000 0 eng d
040 _aOCoLC-P
_beng
_cOCoLC-P
020 _a9781000226713
_q(EPUB)
020 _a1000226719
_q(EPUB)
020 _a9781000226591
_q(electronic bk.)
020 _a100022659X
_q(electronic bk.)
020 _a9781003091943
_q(electronic bk.)
020 _a1003091946
_q(electronic bk.)
020 _a9781000226652
_q(electronic bk. : Mobipocket)
020 _a1000226654
_q(electronic bk. : Mobipocket)
020 _z036755089X
020 _z9780367550899
024 7 _a10.4324/9781003091943.
_2doi
035 _a(OCoLC)1203551181
_z(OCoLC)1194472080
035 _a(OCoLC-P)1203551181
050 4 _aPN56.M54
072 7 _aLIT
_x000000
_2bisacsh
072 7 _aDSBF
_2bicssc
082 0 4 _a809.9112
_223
100 1 _aTrigoni, Thalia,
_eauthor.
245 1 4 _aThe intelligent unconscious in modernist literature and science /
_cThalia Trigoni.
250 _a1st.
264 1 _aNew York :
_bRoutledge,
_c2021.
300 _a1 online resource (224 pages).
336 _atext
_2rdacontent
337 _acomputer
_2rdamedia
338 _aonline resource
_2rdacarrier
490 1 _aAmong the Victorians and modernists
500 _aIntroduction: The Intelligent Unconscious in the Modernist World The Psychology of Unconscious Consciousness D.H. Lawrence on the Intelligent Unconscious and the Allotropic State of Being Virginia Woolf's Stream of (Un)Consciousness: The Ontology of Unconscious Androgyny Feeling Unconscious Thoughts in T. S. Eliot's Criticism and Poetry Conclusion: From Modernism to 21st Century Cognitive Science.
520 _aThis book reassesses the philosophical, psychological and, above all, the literary representations of the unconscious in the early twentieth century. This period is distinctive in the history of responses to the unconscious because it gave rise to a line of thought according to which the unconscious is an intelligent agent able to perform judgements and formulate its own thoughts. The roots of this theory stretch back to nineteenth-century British physiologists. Despite the production of a number of studies on modernist theories of the relation of the unconscious to conscious cognition, the degree to which the notion of the intelligent unconscious influenced modernist thinkers and writers remains understudied. This study seeks to look back at modernism from beyond the Freudian model. It is striking that although we tend not to explore the importance of this way of thinking about the unconscious and its relationship to consciousness during this period, modernist writers adopted it widely. The intelligent unconscious was particularly appealing to literary authors as it is intertwined with creativity and artistic novelty through its ability to move beyond discursive logic. The book concentrates primarily on the works of D. H. Lawrence, Virginia Woolf and T.S. Eliot, authors who engaged the notion of the intelligent unconscious, reworked it and offered it for the consumption of the general populace in varied ways and for different purposes, whether aesthetic, philosophical, societal or ideological.
588 _aOCLC-licensed vendor bibliographic record.
650 0 _aModernism (Literature)
650 0 _aSubconsciousness in literature.
650 0 _aSubconsciousness.
650 0 _aIntellect.
650 0 _aModernism (Aesthetics)
650 7 _aLITERARY CRITICISM / General
_2bisacsh
856 4 0 _3Taylor & Francis
_uhttps://www.taylorfrancis.com/books/9781003091943
856 4 2 _3OCLC metadata license agreement
_uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
999 _c70842
_d70842