TUM Library catalog › Details for: Contemporary art and capitalist modernization : a transregional perspective /

Normal view MARC view ISBD view

Contemporary art and capitalist modernization : a transregional perspective / edited by Octavian Esanu.

Contributor(s): Esanu, Octavian [editor.]Material type: Text

TextSeries: Publisher: New York, NY : Routledge, 2021Copyright date: ©2021Description: 1 online resource (xv, 287 pages) : illustrations, mapsContent type: text Media type: computer Carrier type: online resourceISBN: 9781003044345; 1003044344; 9781000180237; 1000180239; 9781000180176; 1000180174Subject(s): Art, Modern -- 20th century | Art and society -- History -- 20th century | Regionalism and the arts | ART / History / Contemporary (1945-)DDC classification: 709.04 LOC classification: N6490 | .C65667 2021Online resources: Taylor & Francis | OCLC metadata license agreement

Partial contents:

Towards a historical understanding of post-Soviet presentism / Angela Harutyunyan -- Rabinec Studio : the commodification of art in late socialist Hungary, 1982-83 / Kristóf Nagyart -- Al-Nitaq festival of art, Cairo 2000 and 2001 / Dina A. Mohamed.

Summary: "This book addresses the art historical category of "contemporary art" from a transregional perspective, but unlike other volumes of its kind, it focuses in on non-Western instantiations of "the contemporary." The book concerns itself with the historical conditions in which a radically new mode of artistic production, distribution, and consumption - called "contemporary art" - emerged in some countries of Eastern Europe, the post-Soviet republics of the USSR, India, Latin America, and the Middle East, following both local and broader sociopolitical processes of modernization and neoliberalization. Its main argument is that one cannot fully engage with the idea of the "global contemporary" without also paying careful attention to the particular, local, and/or national symptoms of the contemporary condition. Part One is methodological and theoretical in scope, while Part Two is historical and documentary. For the latter, a number of case studies address the emergence of the category "contemporary art" in the context of Lebanon, Egypt, India, Hungary, Slovenia, Croatia, Bosnia and Herzegovina, Armenia, and Moldova. The book will be of interest to scholars working in art history, globalism, cultural studies, and postcolonial studies"-- Provided by publisher.

Tags from this library: No tags from this library for this title. Log in to add tags.

Average rating: 0.0 (0 votes)

Holdings ( 0 )
Title notes

No physical items for this record

"This book addresses the art historical category of "contemporary art" from a transregional perspective, but unlike other volumes of its kind, it focuses in on non-Western instantiations of "the contemporary." The book concerns itself with the historical conditions in which a radically new mode of artistic production, distribution, and consumption - called "contemporary art" - emerged in some countries of Eastern Europe, the post-Soviet republics of the USSR, India, Latin America, and the Middle East, following both local and broader sociopolitical processes of modernization and neoliberalization. Its main argument is that one cannot fully engage with the idea of the "global contemporary" without also paying careful attention to the particular, local, and/or national symptoms of the contemporary condition. Part One is methodological and theoretical in scope, while Part Two is historical and documentary. For the latter, a number of case studies address the emergence of the category "contemporary art" in the context of Lebanon, Egypt, India, Hungary, Slovenia, Croatia, Bosnia and Herzegovina, Armenia, and Moldova. The book will be of interest to scholars working in art history, globalism, cultural studies, and postcolonial studies"-- Provided by publisher.

OCLC-licensed vendor bibliographic record.