Architectural rhetoric and the iconography of authority in colonial Mexico : the Casa de Montejo / C. Cody Barteet.

By: Barteet, C. Cody [author.]Material type: TextTextSeries: Publisher: New York : Routledge, 2019Description: 1 online resourceContent type: text Media type: computer Carrier type: online resourceISBN: 9780429505157; 0429505159; 9780429999031; 0429999038; 9780429999055; 0429999054; 9780429999048; 0429999046Subject(s): Museo Casa Montejo (Mérida, Mexico) | Montejo family -- Homes and haunts -- Mexico -- Mérida | Facades -- Mexico -- Mérida -- History -- 16th century | Symbolism in architecture -- Mexico -- Mérida -- History -- 16th century | Symbolism in art | Conquerors -- Dwellings -- Mexico -- Mérida -- History -- 16th century | Mérida (Mexico) -- Buildings, structures, etc | ARCHITECTURE / Adaptive Reuse & Renovation | ARCHITECTURE / Buildings / Landmarks & Monuments | ARCHITECTURE / Professional Practice | ARCHITECTURE / Reference | ART / History / RenaissanceDDC classification: 720.972/6509031 LOC classification: NA2840 | .B366 2019ebOnline resources: Taylor & Francis | OCLC metadata license agreement Summary: This book investigates the Casa de Montejo and considers the role of the building's Plateresque facade as a form of visual rhetoric that conveyed ideas about the individual and communal cultural identities in sixteenth-century Yucataan. C. Cody Barteet analyzes the facade within the complex colonial world in which it belongs, including in multicultural Yucataan and the transatlantic world. This contextualization allows for an examination of the architectural rhetoric of the facade, the design of which visualizes the contestations of autonomy and authority occurring among the colonial peoples.
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This book investigates the Casa de Montejo and considers the role of the building's Plateresque facade as a form of visual rhetoric that conveyed ideas about the individual and communal cultural identities in sixteenth-century Yucataan. C. Cody Barteet analyzes the facade within the complex colonial world in which it belongs, including in multicultural Yucataan and the transatlantic world. This contextualization allows for an examination of the architectural rhetoric of the facade, the design of which visualizes the contestations of autonomy and authority occurring among the colonial peoples.

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