Innovation in music (Record no. 74602)

000 -LEADER
fixed length control field 05349cam a2200625Mi 4500
001 - CONTROL NUMBER
control field 9780429345388
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220531132612.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 201213s2021 nyua ob 001 0 eng d
040 ## - Cataloging Source
-- OCoLC-P
-- eng
-- OCoLC-P
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781000283679
-- (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 1000283674
-- (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781000283570
-- (PDF ebook)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 1000283577
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781000283624
-- (Mobipocket ebook)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 1000283623
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0429345380
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780429345388
-- (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9780367363376
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 0367363372
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9780367363352
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 0367363356
024 7# -
-- 10.4324/9780429345388
-- doi
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1226644521
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC-P)1226644521
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ML55
072 #7 -
-- MUS
-- 032000
-- bisacsh
072 #7 -
-- MUS
-- 000000
-- bisacsh
072 #7 -
-- UYU
-- bicssc
082 04 -
-- 781.4
-- 23
245 00 - TITLE STATEMENT
Title Innovation in music
Medium [electronic resource] :
Remainder of title future opportunities /
Statement of responsibility, etc. edited by Russ Hepworth-Sawyer, Justin Paterson and Rob Toulson.
264 #1 -
-- New York :
-- Focal Press,
-- 2021.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource.
336 ## -
-- text
-- rdacontent
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-- still image
-- rdacontent
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-- computer
-- rdamedia
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-- online resource
-- rdacarrier
490 0# -
-- Perspectives on music production series
505 0# -
-- <P><STRONG>Part I Music production innovation </STRONG>1. Country Eastern: Contextual and cultural mediation in the recording studio -- two producers, two artists, two cultures 2. Defining and developing a sonic signature in music mixing: A practice-based approach as modern-day studio mentorship 3. Making records within records: Manufacturing phonographic 'otherness' in sample-based Hip Hop production 4. Motormouth: An essay in sonic recontextualization 5. The Individualist: Todd Rundgren's approach to innovation and his 1993 interactive album <I>No World Order </I>6. Ground control and cloud booths: Using Dante to break geographical barriers to music production7. Music production utilising Internet of Things technologies <STRONG>PART II Music technology innovation </STRONG>8. development of an Ambisonic Guitar System 9. Retaining pianistic virtuosity in #MIs: Exploring pre-existing gestural nuances for live sound modulation through a comparative study 10. Improvising song writing and composition within a hybrid modular synthesis system 11. Speaker Park: An intersection of loudspeaker design and post-acousmatic composition 12. Sound objects: Exploring procedural audio for theatre 13. Hearing and feeling memories: Connecting image, sound and haptic feedback to create a multisensory experience of photographs 14. Concepts for the design of accessible music technology 15. Security engineering in the arts <STRONG>PART III Performance innovation </STRONG>16. Transparency and authenticity in the live arena: An exploration of electronic music performance techniques 17. BTS' "Speak Yourself" world tour as an intermedial spectacle of attachment 18. A review of contemporary practices incorporating digital technologies with live classical music 19. Free ensembles and small (chamber) orchestras as innovative drivers of classical music in Germany 20. Transforming musical performance: Activating the audience as digital collaborators 21. The online composer-audience collaboration 22. New instruments as creativity triggers in composer-performer collaboration 23. "My avatar and me": Technology-enhanced mirror in monitoring music performance practice 24. Creative considerations for on-screen visuals in electronic pop music performances <STRONG>PART IV Music business and artist development innovation </STRONG>25. Towards a quantum theory of musical creativity 26. Observing mood-based patterns and commonalities in music using machine learning algorithms 27. The role of contests and talent shows as part of the artist development process within the music industry 28. Music: Leeds -- supporting a regionalised music sector and scene</P><P></P>
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-- Innovation in Music: Future Opportunities brings together cutting-edge research on new innovations in the field of music production, technology, performance and business. Including contributions from a host of well-respected researchers and practitioners, this volume provides crucial coverage on a range of topics from cybersecurity, to accessible music technology, performance techniques and the role of talent shows within music business. Innovation in Music: Future Opportunities is the perfect companion for professionals and researchers alike with an interest in the music industry.
588 ## -
-- OCLC-licensed vendor bibliographic record.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Music and technology.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Music
General subdivision Performance.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Sound recordings
General subdivision Production and direction.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Music trade.
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element MUSIC / Recording & Reproduction
Source of heading or term bisacsh
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element MUSIC / General
Source of heading or term bisacsh
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Hepworth-Sawyer, Russ,
Relator term editor.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Paterson, Justin,
Relator term editor.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Toulson, Rob,
Relator term editor.
856 40 -
-- Taylor & Francis
-- https://www.taylorfrancis.com/books/9780429345388
856 42 -
-- OCLC metadata license agreement
-- http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf

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