Class, gender, and sexuality in Thomas Gainsborough's Blue boy / (Record no. 74210)

000 -LEADER
fixed length control field 04264cam a2200589Ki 4500
001 - CONTROL NUMBER
control field 9781351006866
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220531132555.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 190711s2019 enk ob 001 0 eng d
040 ## - Cataloging Source
-- OCoLC-P
-- eng
-- rda
-- pn
-- OCoLC-P
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781351006866
-- (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 135100686X
-- (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 1351006843
-- (electronic bk. : EPUB)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781351006835
-- (electronic bk. : Mobipocket)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 1351006835
-- (electronic bk. : Mobipocket)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781351006859
-- (electronic bk. : PDF)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 1351006851
-- (electronic bk. : PDF)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781351006842
-- (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781138543423
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 113854342X
024 8# -
-- 10.4324/9781351006866
-- doi
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1107880861
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC-P)1107880861
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ND1329.G34
Item number A63 2019eb
072 #7 -
-- ART
-- 015000
-- bisacsh
072 #7 -
-- ART
-- 015030
-- bisacsh
072 #7 -
-- SOC
-- 032000
-- bisacsh
072 #7 -
-- AB
-- bicssc
082 04 -
-- 759.42
-- 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Hedquist, Valerie,
Relator term author.
245 10 - TITLE STATEMENT
Title Class, gender, and sexuality in Thomas Gainsborough's Blue boy /
Statement of responsibility, etc. Valerie Hedquist.
264 #1 -
-- London ;
-- New York :
-- Routledge,
-- 2019.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource.
336 ## -
-- text
-- txt
-- rdacontent
337 ## -
-- computer
-- c
-- rdamedia
338 ## -
-- online resource
-- cr
-- rdacarrier
490 1# -
-- Routledge Research in Gender and Art
520 8# -
-- The reception of Thomas Gainsborough's Blue Boy from its origins to its appearances in contemporary visual culture reveals how its popularity was achieved and maintained by diverse audiences and in varied venues. Performative manifestations resulted in contradictory characterizations of the painted youth as an aristocrat or a "regular fellow," as masculine or feminine, or as heterosexual or gay. In private and public spaces where viewers saw the actual painting and where living and rendered replicas circulated, Gainsborough's painting was often the centerpiece where dominant and subordinate classes met, gender identities were enacted, and sexuality was implicitly or overtly expressed.
505 0# -
-- Cover; Half-Title; Series; Title; Copyright; Contents; List of figures; List of plates; Acknowledgements; Introduction; 1 Private Beginnings, Public Performances; A Spa Setting for The Blue Boy; Gainsborough in Bath; The Blue Boy and Van Dyck; The Shared Stuart Past; Public Display at the Royal Academy; The Blue Boy in the Artist's Showroom; Notes; 2 The Blue Boy from Gainsborough's Showroom to Grosvenor's Picture Gallery; The Blue Boy's Fame and Rivalry; An American Blue Boy; The Blue Boy's Fame and Jonathan Buttall; The Blue Boy's Fame and the Grosvenor Family in Mayfair; Notes
505 8# -
-- 3 Public RecognitionThe Blue Boy in Early Publications; The Blue Boy in Manchester; The Blue Boy Exhibited; The Great London Exposition, 1862; Royal Academy, London, 1870; South Kensington Museum, London, 1870; Grosvenor Gallery, London, 1885; Royal Academy, London, 1896; The Blue Boy Examined and Rivalry Reconsidered; Notes; 4 Reproducing The Blue Boy; An Alternative Blue Boy; The Blue Boy in Prints and Popular Objects; Living Reproductions Perform The Blue Boy; Notes; Plates; 5 Farewell to England; The Final Years in Mayfair; The Sale of The Blue Boy; Goodbye to Britain; Notes
505 8# -
-- 6 Welcome to AmericaThe Blue Boy on the West Coast; The Blue Boy on Screen and Stage; Notes; 7 Changing Roles for The Blue Boy; The Blue Boy Captivates America; From Manliness to Swish; The Blue Boy in the Comics; Re-appropriating The Blue Boy; Gay Blue Boy; Notes; Conclusion; Bibliography; Index
588 ## -
-- OCLC-licensed vendor bibliographic record.
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Gainsborough, Thomas,
Dates associated with a name 1727-1788.
Title of a work Blue boy.
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Gainsborough, Thomas,
Dates associated with a name 1727-1788
General subdivision Criticism and interpretation.
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element ART / History / General
Source of heading or term bisacsh
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element ART / European
Source of heading or term bisacsh
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element SOCIAL SCIENCE / Gender Studies
Source of heading or term bisacsh
856 40 -
-- Taylor & Francis
-- https://www.taylorfrancis.com/books/9781351006866
856 42 -
-- OCLC metadata license agreement
-- http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf

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