Genres and Provenance in the Comedy of W.S. Gilbert : (Record no. 73573)
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fixed length control field | 04048cam a2200505Ki 4500 |
001 - CONTROL NUMBER | |
control field | 9780429347344 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20220531132528.0 |
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
fixed length control field | m o d |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 191106s2019 nyu o 000 0 eng d |
040 ## - Cataloging Source | |
-- | OCoLC-P |
-- | eng |
-- | rda |
-- | pn |
-- | OCoLC-P |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9780429347344 |
-- | (electronic bk.) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 0429347340 |
-- | (electronic bk.) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781000699418 |
-- | (electronic bk. : PDF) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 1000699412 |
-- | (electronic bk. : PDF) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781000699654 |
-- | (electronic bk. : Mobipocket) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 100069965X |
-- | (electronic bk. : Mobipocket) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781000699890 |
-- | (electronic bk. : EPUB) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 1000699897 |
-- | (electronic bk. : EPUB) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
Canceled/invalid ISBN | 9780367366216 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (OCoLC)1126570875 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (OCoLC-P)1126570875 |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
Classification number | PR4714 |
072 #7 - | |
-- | LIT |
-- | 000000 |
-- | bisacsh |
072 #7 - | |
-- | DS |
-- | bicssc |
082 04 - | |
-- | 822.8 |
-- | 23 |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Moore, Richard, |
Dates associated with a name | 1945- |
Relator term | author. |
245 10 - TITLE STATEMENT | |
Title | Genres and Provenance in the Comedy of W.S. Gilbert : |
Remainder of title | Pipes and Tabors / |
Statement of responsibility, etc. | Richard Moore. |
250 ## - EDITION STATEMENT | |
Edition statement | First edition. |
264 #1 - | |
-- | New York : |
-- | Routledge, |
-- | 2019. |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 1 online resource (x, 336 pages). |
336 ## - | |
-- | text |
-- | txt |
-- | rdacontent |
337 ## - | |
-- | computer |
-- | c |
-- | rdamedia |
338 ## - | |
-- | online resource |
-- | cr |
-- | rdacarrier |
490 1# - | |
-- | Routledge studies in nineteenth-century literature ; |
-- | 2 |
505 0# - | |
-- | Introduction : Intention and Parameters. Part One : Background and Developments Part Two : Genres and Their Treatment : a) Masque, Dumb-Show and the Pastoral b) Irish Drama: Examples from Boucicault and Elsewhere c) Opera, Tragedy and Politics : The Burlesque Response d) Nautical Burlesque c) Burlesque Melodrama and Gothic Parody d) Burlesque Sensation e) Nonsense and Surrealism. f) Pantomime g) Genres of the Supernatural : Fairies, Diabolism and the Realm of Magic h) Farce as a genre and expression of the Comic Spirit. Part Three : Other genres and Concluding Observations. |
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-- | In The Progress of Fun W.S. Gilbert was considered, not as a 'classic Victorian', but as part of an on-going comedic continuum stretching from Aristophanes to Joe Orton and beyond. Pipes and Tabors continues the story, covering the comedic experience differently by reference to genres. Here - treated in relation to a line of significant others - we discover how Gilbert responded to areas such as the Pastoral, the Irish drama, nautical scenarios, melodrama, sensation-theatre, the nonsensemode, pantomime spectaculars, fairy plays, and classical farce. Also included is a wider look at his relation to various European musical forms and (for instance) to the English line of wit and the Elizabethan pamphleteers. To consider a writer not so much by a study of individual works as by threads of linking generic modes tells us a great deal about cultural interconnections and the richly textured nature of theatrical experience. Pipes and Tabors offers a tapestry of overlapping genres and treatments, showing not just the design of the finished products but the shreds and patches which form the underside of the weave. According to Dorothy L. Sayers, life itself offers us the apparent loose ends of a design which will only be revealed from the front after death. In terms of Gilbertian comedy, we are privileged to be able to track both the effort of the weave and the skill of the finished product. On the way we will also discover some new links and sub-text implications about other 19th century denigrated groups which were buried from sight for too long. |
588 ## - | |
-- | OCLC-licensed vendor bibliographic record. |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | LITERARY CRITICISM / General |
Source of heading or term | bisacsh |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME | |
Personal name | Gilbert, W. S. |
Fuller form of name | (William Schwenck), |
Dates associated with a name | 1836-1911 |
General subdivision | Criticism and interpretation. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | English drama (Comedy) |
General subdivision | History and criticism. |
856 40 - | |
-- | Taylor & Francis |
-- | https://www.taylorfrancis.com/books/9780429347344 |
856 42 - | |
-- | OCLC metadata license agreement |
-- | http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
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