Shakespeare in the world (Record no. 71881)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 05540cam a2200517Ki 4500 |
| 001 - CONTROL NUMBER | |
| control field | 9781003099789 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20220531132413.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 200929s2021 nyu ob 000 0 eng d |
| 040 ## - Cataloging Source | |
| -- | OCoLC-P |
| -- | eng |
| -- | OCoLC-P |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781000206067 |
| -- | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 1000206068 |
| -- | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781003099789 |
| -- | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 1003099785 |
| -- | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781000206036 |
| -- | (electronic bk. : Mobipocket) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 1000206033 |
| -- | (electronic bk. : Mobipocket) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781000206005 |
| -- | (electronic bk. : PDF) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 1000206009 |
| -- | (electronic bk. : PDF) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 0367568861 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9780367568863 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)1198018192 |
| Canceled/invalid control number | (OCoLC)1197865890 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC-P)1198018192 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PR2971.E85 |
| 072 #7 - | |
| -- | LIT |
| -- | 000000 |
| -- | bisacsh |
| 072 #7 - | |
| -- | DDS |
| -- | bicssc |
| 082 04 - | |
| -- | 822.33 |
| -- | 23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Sen, Suddhaseel. |
| 245 10 - TITLE STATEMENT | |
| Title | Shakespeare in the world |
| Medium | [electronic resource] : |
| Remainder of title | cross-cultural adaptation in Europe and colonial India, 1850-1900 / |
| Statement of responsibility, etc. | Suddhaseel Sen. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc. | New York, NY ; |
| -- | Abingdon, Oxon : |
| Name of publisher, distributor, etc. | Routledge, Taylor & Francis Group, |
| Date of publication, distribution, etc. | 2021. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource. |
| 490 1# - | |
| -- | Routledge studies in Shakespeare |
| 520 ## - | |
| -- | Shakespeare in the World traces the reception histories and adaptations of Shakespeare in the nineteenth century, when his works became well-known to non-Anglophone communities in both Europe and colonial India. Sen provides thorough and searching examinations of nineteenth-century theatrical, operatic, novelistic, and prose adaptations that are still read and performed, in order to argue that, crucial to the transmission and appeal of Shakespeare's plays were the adaptations they generated in a wide range of media. These adaptations, in turn, made the absorption of the plays into different "national" cultural traditions possible, contributing to the development of "nationalist cosmopolitanisms" in the receiving cultures. Sen challenges the customary reading of Shakespeare reception in terms of "hegemony" and "mimicry," showing instead important parallels in the practices of Shakespeare adaptation in Europe and colonial India. Shakespeare in the World strikes a fine balance between the Bard's iconicity and his colonial and post-colonial afterlives, and is an important contribution to Shakespeare studies. |
| 505 0# - | |
| -- | Cover -- Half Title -- Series -- Title -- Copyright -- Contents -- List of Musical Examples -- Acknowledgements -- Preliminary Notes -- Introduction -- Shakespeare's Reception in Non-Anglophone Cultures: Analytical Paradigms -- Theorising Shakespeare Reception Relationally -- Shakespeare and "Nationalist Cosmopolitanism" -- Adaptation Theory and Cross-Cultural Receptions of Shakespeare -- The Case Studies: Patterns and Interconnections -- Part 1 -- 1 Shakespeare Reception in France: Ambroise Thomas's Hamlet and Its Intertexts -- Introduction |
| 505 8# - | |
| -- | Shakespeare's Hamlet: Texts and Performances up to the Nineteenth Century -- Hamlet in France: From Ducis to Dumas and Meurice -- Thomas's Hamlet as Opéra Lyrique -- The Operatic Ophélie -- The Afterlife of Thomas's Hamlet -- 2 Nationalism and Aesthetic Self-Fashioning: Giuseppe Verdi's Otello -- Introduction -- Jealousy and Vengeance in Othello and Otello (i): Racial Discourses -- Jealousy and Vengeance in Othello and Otello (ii): Religious Discourses -- Jealousy and Vengeance in Othello and Otello (iii): The Pressures of Patriarchy |
| 505 8# - | |
| -- | Verdi's Musical Choices and the Subversion of Racial Stereotypes regarding Jealousy -- Conclusion -- Part 2 -- 3 Challenging the Civilising Mission: Responses to The Tempest by Bankimchandra Chatterjee and Rabindranath Tagore -- Introduction -- Bankim and Bengali Literature After 1857 -- Bankim's Life and Literary Career -- Kapālakunalā: Plot and Intertexts -- The Tempest, Kapālakunalā, and Women in Nineteenth-Century Bengal (i): A Historical Perspective -- The Tempest, Kapālakunalā, and Women in Nineteenth-Century Bengal (ii): A Symbolic Perspective |
| 505 8# - | |
| -- | Bankim, Tagore, and the Reception History of The Tempest -- 4 Two Contrasting Cases of Transculturation of Shakespeare From Nineteenth-Century Bengal: Ishwarchandra Vidyasagar's Bhrāntivilās and Girishchandra Ghosh's Macbeth -- Introduction -- Part I: Vidyasagar's Bhrāntivilās -- Life and Times of Ishwarchandra Vidyasagar -- Rereading The Comedy of Errors: Bhrāntivilās and Its Intertexts -- Bhrāntivilās and Feminist Readings of Errors -- Part II: Girishchandra Ghosh's Macbeth -- The Life and Career of Girishchandra Ghosh -- Girishchandra Ghosh's Macbeth: A Case of Colonial Mimicry? -- Conclusion |
| 505 8# - | |
| -- | Conclusion -- Adaptation Studies: Synchronic and Diachronic Approaches -- Nationalist Cosmopolitanism and Post-Colonial Mimicry -- Cross-Cultural Shakespeare and New Analytical Frameworks -- Appendix 1 "Imitation" -- Appendix 2 "Śakuntalā, Miranda, and Desdemona" -- References -- Index |
| 588 ## - | |
| -- | OCLC-licensed vendor bibliographic record. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME | |
| Personal name | Shakespeare, William, |
| Dates associated with a name | 1564-1616 |
| General subdivision | Appreciation |
| Geographic subdivision | Europe. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME | |
| Personal name | Shakespeare, William, |
| Dates associated with a name | 1564-1616 |
| General subdivision | Appreciation |
| Geographic subdivision | India. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | LITERARY CRITICISM / General |
| Source of heading or term | bisacsh |
| 856 40 - | |
| -- | Taylor & Francis |
| -- | https://www.taylorfrancis.com/books/9781003099789 |
| 856 42 - | |
| -- | OCLC metadata license agreement |
| -- | http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
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